Polygraphs was an exhibition at the Gallery of Modern Art (GoMA) that explored truth, fiction and evidence in a complex world. The show was drawn from Glasgow Museums’ collection and included artists who interrogate dominant historical narratives such as our relationship to the arms trade, colonialism and the slave trade. In terms of Glasgow’s relationship to the slave trade we included works by Beth Forde, an … Continue reading Contemporary Art and Slavery
The building housing Glasgow’s Gallery of Modern Art (GoMA) started out as a mansion for the tobacco and sugar merchant William Cunninghame of Lainshaw (1731 – 1799). The plot of land on Queen Street where the Gallery stands was once agricultural ground on Glasgow’s western frontier. Construction of the small but impressive mansion house started in 1777. The house had a sunk storey for kitchens, … Continue reading The Cunninghame Mansion
What at first appears to be a charming piece of needlework actually reflects one of the darker sides of British history. This panel is made from linen embroidered in coloured silk and wool threads with cross, flame, satin and tent stitches – all relatively simple techniques suggesting that it was made by an amateur as a leisurely pastime. Against a fantastical background of flowering plants, … Continue reading A fashionable accessory?
When the portrait of the tobacco merchant John Glassford and his family was given to Glasgow Museums in 1950 not much was known about it, and a myth grew about a black slave boy who had been painted over to erase Glasgow’s association with the slave trade. In 2007 the painting was moved from the People’s Palace to Kelvingrove Art Gallery and Museum where conservation … Continue reading John Glassford’s Family Portrait
In February 1727 Dr Gustavus Brown placed this advertisement in The Edinburgh Evening Courant: RUN away on the 7th Instant from Dr. Gustavus Brown’s Lodgings in Glasgow, a Negro Woman, named Ann, being about 18 Years of Age, with a green Gown and a Brass Collar about her Neck, on which are engraved these Words [“Gustavus Brown in Dalkieth his Negro, 1726.”] Whoever apprehends her, … Continue reading Gustavus Brown’s Runaway Slave
In the summer of 2014, when Glasgow played host to the Commonwealth Games, Kelvingrove Art Gallery and Museum held a special exhibition called How Glasgow Flourished, 1714 – 1837. This endorsed Glasgow Museum’s commitment to displaying objects and stories about the city’s historic links with transatlantic chattel slavery in America and the West Indies. The central core of the exhibition was about the way Glasgow’s … Continue reading How Glasgow Flourished, 1714 – 1837
Glasgow Museums has a commitment to displaying and discussing its collections’ links to slavery. Kelvingrove Art Gallery and Museum hosted a symposium in 2014 on ‘How Glasgow Flourished, 1714 -1837’. This complemented the exhibition of the same name and brought together academics and curators to explore various themes relating to the growth of Glasgow in this period. The talks were all recorded with the aim … Continue reading How Glasgow Flourished Symposium