In 1705, the Glaswegian businessman, John ‘Bass’ Spreull published an account of Scotland’s prospects for international trade. He suggested that Scotland should make appropriate trade links with the West Indies, Virginia, the Guinea coast and what he called the ‘Negroes Coast’, by which he probably meant West African countries such as Senegal where European countries had established a slave trade. Spreull promoted a trade of … Continue reading The earliest enslaved person in Glasgow?
John Glassford of Dougalston (1715 -1783) is famed for his success as a businessman, but few people know about his art collection. It was sold at auction at Christies on 23December 1786. The auction catalogue lists 139 paintings for sale. The collection was mostly made up of British, Dutch and French artists but there were also a few Italian paintings. He had three works by … Continue reading John Glassford’s Art Collection
When the portrait of the tobacco merchant John Glassford and his family was given to Glasgow Museums in 1950 not much was known about it, and a myth grew about a black slave boy who had been painted over to erase Glasgow’s association with the slave trade. In 2007 the painting was moved from the People’s Palace to Kelvingrove Art Gallery and Museum where conservation … Continue reading John Glassford’s Family Portrait
The Scottish Identity in Art gallery in Kelvingrove Art Gallery and Museum contains many wonderful objects, including silverware made by the Luke of Claythorn family. Claythorn is in today’s Calton, near the People’s Palace. Recent research on portraits of them in the museum stores has revealed a complicated family history. There are six portraits: three of John Luke, one of James Luke and one for … Continue reading The Luke of Claythorn family – silver, sugar and slavery
When Glasgow Museums first acquired Robert Salmon’s painting of Glasgow Harbour in 1832 it was for the extraordinary representation of steamships. However research into the other ships has thrown up additional information that helps us to understand what is going on in the painting. The American ship on the left-hand side of the painting was originally thought to have been there simply to appeal to … Continue reading Slave Cotton in Glasgow
Living with the consequences of our actions is a condition of life. Proof of this in a very positive way is that Glasgow Museums is still benefiting from the How Glasgow Flourished exhibition at Kelvingrove in 2014. The Friends of Glasgow Museums supported this exhibition, and in 2016 also gave us a grant to purchase two Georgian wedding portraits. These were painted in 1752 by … Continue reading A Marriage Bonded by Slavery