Glasgow Museums Collection PR.2004.5.12

The Cunninghame Mansion

The building housing Glasgow’s Gallery of Modern Art (GoMA) started out as a mansion for the tobacco and sugar merchant William Cunninghame of Lainshaw (1731 – 1799). The plot of land on Queen Street where the Gallery stands was once agricultural ground on Glasgow’s western frontier. Construction of the small but impressive mansion house started in 1777. The house had a sunk storey for kitchens, … Continue reading The Cunninghame Mansion

Glasgow Museums Collection 2887

John Glassford’s Family Portrait

When the portrait of the tobacco merchant John Glassford and his family was given to Glasgow Museums in 1950 not much was known about it, and a myth grew about a black slave boy who had been painted over to erase Glasgow’s association with the slave trade. In 2007 the painting was moved from the People’s Palace to Kelvingrove Art Gallery and Museum where conservation … Continue reading John Glassford’s Family Portrait

Jamie Montgomery, Runaway Slave

In 1750 a Scottish merchant in Virginia named Robert Shedden purchased an enslaved boy named Jamie for £56. Two years later Shedden sent the young boy back to Scotland where he would be apprenticed to Shedden’s brother-in-law, a carpenter named Robert Morrice who lived in Shedden’s home town of Beith, Ayrshire. Shedden intended to profit by this, for he would eventually have Jamie sent back … Continue reading Jamie Montgomery, Runaway Slave

Glasgow Museums Collection TEMP.9384

The Luke of Claythorn family – silver, sugar and slavery

The Scottish Identity in Art gallery in Kelvingrove Art Gallery and Museum contains many wonderful objects, including silverware made by the Luke of Claythorn family. Claythorn is in today’s Calton, near the People’s Palace. Recent research on portraits of them in the museum stores has revealed a complicated family history. There are six portraits: three of John Luke, one of James Luke and one for … Continue reading The Luke of Claythorn family – silver, sugar and slavery

Glasgow Museums Collection 3715

Slave Cotton in Glasgow

When Glasgow Museums first acquired Robert Salmon’s painting of Glasgow Harbour in 1832 it was for the extraordinary representation of steamships. However research into the other ships has thrown up additional information that helps us to understand what is going on in the painting. The American ship on the left-hand side of the painting was originally thought to have been there simply to appeal to … Continue reading Slave Cotton in Glasgow

Glasgow Museums Collection PP.2016.38.2

A Marriage Bonded by Slavery

Living with the consequences of our actions is a condition of life. Proof of this in a very positive way is that Glasgow Museums is still benefiting from the How Glasgow Flourished exhibition at Kelvingrove in 2014. The Friends of Glasgow Museums supported this exhibition, and in 2016 also gave us a grant to purchase two Georgian wedding portraits. These were painted in 1752 by … Continue reading A Marriage Bonded by Slavery