I’m delighted and honoured to be joining Glasgow Museums as a curator focussing on the legacies of the British Empire and the trans-Atlantic trade in enslaved African people. This post, funded for two years by Museums Galleries Scotland, is a result of Glasgow Museums’ wider programme of activity addressing these issues. I certainly seem to be joining at an exciting time, with cultural institutions looking … Continue reading Addressing the legacies of empire and slavery
Suriname, on the north coast of South America, became a Dutch colony in 1667, with numerous plantations for the production of commodities such as sugar, cotton, and coffee. Around 300,000 enslaved people from the African continent were bought, sold, and forced to work in inhumane conditions in Suriname by the Dutch. In the Netherlands, the owners of these plantations often commissioned beautiful wine glasses engraved … Continue reading Legacies of the Dutch Slave Trade
This stunning tapestry in the Burrell Collection with its long-necked camels allows us to take a long view and look at the origins of the transatlantic slave trade. Woven in about 1500–30 probably in the workshop of Arnould Poissonnier in Tournai, Southern Netherlands, now Belgium, this tapestry is one of a group known collectively as the Voyage to Calicut. Each panel showed a scene from … Continue reading Voyages of Exploration and Exploitation
Glasgow Museums recently acquired the painting A Highland Chieftain: Portrait of Lord Mungo Murray (c.1683) by Scottish-trained artist John Michael Wright (1617–1694) with support from the National Lottery Heritage Fund, Art Fund, Friends of Glasgow Museums and National Fund for Acquisitions. At face value it is an exuberant celebration of Highland dress and cosmopolitan Gaelic culture, but it also has links to the transatlantic slave trade. … Continue reading Mungo Murray, Darien and Slavery
One of the earliest ship models to enter the collection of Glasgow Museums was a fine model of HMS Oxford, made around 1727. It came from the collection of Robert Napier, known as the ‘father of Clyde shipbuilding’ and was presented shortly after his death in 1876 as an example of early naval ship design. However, beneath the beauty and intricacy of this model lies … Continue reading The Navy and Slavery
In 1705, the Glaswegian businessman, John ‘Bass’ Spreull published an account of Scotland’s prospects for international trade. He suggested that Scotland should make appropriate trade links with the West Indies, Virginia, the Guinea coast and what he called the ‘Negroes Coast’, by which he probably meant West African countries such as Senegal where European countries had established a slave trade. Spreull promoted a trade of … Continue reading The earliest enslaved person in Glasgow?
Polygraphs was an exhibition at the Gallery of Modern Art (GoMA) that explored truth, fiction and evidence in a complex world. The show was drawn from Glasgow Museums’ collection and included artists who interrogate dominant historical narratives such as our relationship to the arms trade, colonialism and the slave trade. In terms of Glasgow’s relationship to the slave trade we included works by Beth Forde, an … Continue reading Contemporary Art and Slavery